He does not really know his innermost self, which is surrounded by an abyss of emptiness. The other lodgers follow suit. He sees his family wearing down as a result of his transformation and their new poverty. Their lives are based on ever-new compromises and calculations. Gregor behaves in a surprising way.
The boarders, who initially seemed interested in Grete, grow bored with her performance, but Gregor is transfixed by it. More so than Georg, however, who comes to accept his judgment, out of proportion though it may be, Gregor is a puzzled victim brought before the Absolute — here in the form of the chief clerk — which forever recedes into the background.
Gregor expects that once he gets up he'll feel better. The most plausible answer is that, although he is an insect, Gregor nevertheless transcends his animal condition, craving spiritual and sexual food. For An analysis of the metamorphosis, he uses his whole body to anxiously guard the magazine clipping of a lady in a fur cape; this is a good illustration of his pitiful preoccupation with sex.
Grete has been asked to play the violin for them, and Gregor creeps out of his bedroom to listen. Gregor's new body intrudes on his thoughts about his human life, already showing how body and mind are not separate, but closely linked, with the body influencing the mind.
His father returns from his new job, and misunderstanding the situation, believes Gregor has tried to attack the mother. Gregor claims that he had a dizzy spell and asks the office manager to spare his parents any undue concern.
The harmony between them seems to be the result of their common fate of being drawn together by the misfortune that befell them.
Although one might expect such a horrible fate to cause a maximum of intellectual and emotional disturbance in a human being — and Gregor remains one inwardly until his death — he stays surprisingly calm.
Active Themes Gregor frets about his exhausting job. In Gregor's "uneasy dreams," the compromises and calculations finally rupture and, from them, truth rises in the form of a "gigantic insect. He has believed it was his duty to help them pay their debts and secure a financially carefree life, and he has done this by selling his soul to the company.
They locked him up, imprisoning him by not allowing him out of his room. Even after his death, it is obvious that Gregor was there for a cause. Likely stemming from both prejudices about cockroaches, and from Gregor's irrational, non-human behavior, the father no longer treats him like a son but rather more like he would treat the insect that Gregor now appears to be and is.
Active Themes Related Quotes with Explanations Gregor's father tries to force Gregor back into his bedroom with a cane and newspaper. After his secret of change to an insect was discovered, they realized that he was no longer of any use to the family, and he was unappreciated in every way.
Active Themes The charwoman comes the following morning and thinks Gregor is trying to trick her. The first one deals with his professional conflict, the second deals primarily with his reaction to the increasingly tense alienation within his family, and the last deals with Gregor's death or, expressed positively, his liberation.
Part 1 Summary Gregor Samsa wakes in his bed and discovers he has transformed into a giant bug. Gregor stays halfway in his room, noticing the rainy weather, the breakfast plates laid out, and a photo of himself when he was in the army. As will be shown later, he would have had every reason to do so.
Gregor spends his time listening through the wall to his family members talking. His insect appearance must not be real because it does not suit Gregor the businessman. Even now in his helpless condition, he continues to think of his life as a salesman in "normal" terms; he plans the day ahead as if he could start it like every other day, and he is upset only because of his clumsiness.
Gregor — after his metamorphosis — can be depicted only to the extent he can see and grasp himself — hence not at all or merely by implication.
He was only good when he could provide for the family and so was never really appreciated for who he was. The basic question here is this: Gregor delivers a long speech asking the office manager to put in a good word for him at work, since traveling salesmen often become the subjects of negative gossip, but the office manager continues to back out of the apartment.
He came to the conclusion that he was better off as a bug and did not want things to go back to the way they were.
Nothing changed after his metamorphosis, however, and the family continued to misunderstand Gregor. There is no textual evidence in the story which explicitly tells us the cause of Gregor's fate. Though Gregor's previous life was devoted to the routines of responsibility to others, now he has a new burden of responsibility—his own body makes him work and hinders him.
His family suspects that he may be ill, so they ask him to open the door, which he keeps locked out of habit. No one knows what he or anybody else really is: Gregor manages to get back into his bedroom but is severely injured. Gregor's father, his mother, and his sister also have their parallels with Kafka's family.
By reading them imaginatively, we can understand the nature of the field; only then can we turn back to and understand the unreal element that created the field.The Metamorphosis Analysis Literary Devices in The Metamorphosis. Symbolism, Imagery, Allegory.
You could say the entire story is an allegory. After all, the setting seems so ordinary that it's tempting to see Gregor's transformation as a symbolic one, rather than an actual one.
Maybe he's on. The Metamorphosis Franz Kafka. See also Franz Kafka Short Story Criticism and "A Hunger Artist" Criticism.
The Metamorphosis is one of the most frequently analyzed works in literature. This.
Franz Kafka's ''The Metamorphosis'' is a novella with a big impact. Kafka attacks themes of isolation and confinement in a uniquely terrifying way. Kafka wrote "The Metamorphosis" at the end ofsoon after he finished "The judgment," and it is worth noting that the two stories have much in common: a businessman and bachelor like Georg Bendemann of "The judgment," Gregor Samsa is confronted with.
As this character analysis of Gregor in “The Metamorphosis” by Franz Kafka suggests, his mother, father, and his sister have not changed form, but their metamorphoses are the most profound because they demonstrate how easily one’s beliefs, values, and basic treatment of others can be compromised because of a failure to adapt psychologically.
Need help with Section 1 in Franz Kafka's The Metamorphosis? Check out our revolutionary side-by-side summary and analysis. The Metamorphosis Section 1 Summary & Analysis from LitCharts | The creators of SparkNotes.Download